Early peasant childhood in the Pantanal of Mato Grosso do Sul. He encountered music through viola music, country music, and traditional country music: João Mineiro and Marciano, Almir Sater, Sergio Reis, etc.

second childhood in the pampas. He discovers his father's vinyl records. Pink Floyd, Deep Purple, and other classics blend with the Latin influence of Fito Paez's Argentine rock.

Uruguayan adolescence. The first encounters with electronic music happened amidst alcohol and drug-fueled nightclubs in Punta del Este.

In Santos, he intensely experienced the peak of the Charlie Brown Jr. Band. He met Mano Brown in Vila Belmiro and immersed himself in rap. "Nothing Like a Day After Another Day" became his number one album; he wore Cyclone from head to toe.

He becomes a regular on the electronic music scene on São Paulo's north coast. At Sirena de Maresias, he meets the biggest DJs in Brazil and around the world.

He finds himself meditating. He discovers the world of mantras and healing music. He begins working on the co-production of binaural beats and soundhealing. At the same time, he works with Maestro João Carlos Martins at Bachiana in São Paulo and with Carlinhos Brown at Pracatum in Salvador.

begins to lead active meditation and ecstatic dance groups

With Satyaprem, he hones the art of listening. He spent seven years just listening to music during meditation.

​his career in electronic music grows and he begins to perform on big stages

incorporates original productions, creations, poems and authentic interventions into its presentations

the artist begins to insert themes of non-duality into his musical creations